Today in Racist Signs

From Consumerist:

Someone at a Missouri Sonic Drive-in chose to express both their support for the Kansas City Chiefs and their utter ignorance by using the restaurant’s sign to post a message that combined nearly every offensive Native American stereotype into one garbled statement.

“‘KC CHIEFS’ WILL SCALP THE REDSKINS FEED THEM WHISKEY SEND – 2 – RESERVATION,” read the sign outside the Sonic in Belton, MO, referencing yesterday’s game between the Chiefs and the Redskins.

After a passerby snapped the above photo and posted it to Twitter, the story took off, with people calling for the sign to be removed and for Sonic to issue an apology.

Redskins’ Kike Owner Refuses To Change Team’s Offensive Name

Watch the Rolling Stones Write “Sympathy for the Devil”: A Highlight in Godard’s ’68 Film One Plus One

Naissance de "Sympathy for the devil " (one+one… by cinocheproduction

So awesome:

After the Rolling Stones’ partly misguided, partly inspired attempt at psychedelia, Their Satanic Majesties Request, the band found its footing again in the familiar territory of the Delta Blues. But with the 1968 recording of Beggar’s Banquet, they also retained some of the previous album’s experimentation, taken in a more sinister direction on the infamous “Sympathy for the Devil.” In the studio, with the band during those recording sessions, was none other than radical French New Wave director Jean-Luc Godard, who brought his own experimental sensibilities to a project he would call One Plus One, a document of the Stones’ late sixties incarnation—including an increasingly reclusive Brian Jones. Godard punctuates the fascinating studio scenes of the Stones with what Andrew Hussey of The Guardian calls “a series of set pieces—an incoherent stew of Situationism and other Sixties stuff”: