This city letter carrier posed for a humorous photograph with a young boy in his mailbag. After parcel post service was introduced in 1913, at least two children were sent by the service. With stamps attached to their clothing, the children rode with railway and city carriers to their destination. The Postmaster General quickly issued a regulation forbidding the sending of children in the mail after hearing of those examples.
A caravan of vehicles, led by a giant tree-cutting machine, travels deep into the AMAZON FOREST. HARRISON uses a CHEAT CODE to spawn a ROCKET LAUNCHER, then uses it to blow up the tree-cutting machine.
Iâ€™m pretty sure the audience came here to see more Shia LaBeouf, so Iâ€™m going to fence Cate Blanchett in front of an obvious green screen.
Wait, what are they chasing us through? Are there roads in the middle of the jungle? Why the hell did we bother showing that tree-cutting thing if we were just going to contradict the very thing it was trying to establish?
Thatâ€™s whatâ€™s so great about this movie – we can just do whatever the hell we want, because even glaringly obvious flaws like that are dwarfed by the sheer magnitude of failure that is the rest of the movie.
Nuke the fridge is a phrase with a meaning similar to jump the shark. It is used to refer to the moment in a film series(usually a half-serious genre) that is so incredible that it lessens the excitement of subsequent scenes that rely on more understated action or suspense. Such moments are felt to mark the beginning of a low point in the quality of the franchise, as it attempt to explore more absurd avenues.
The term comes from the film Indiana Jones and the Kingdom of the Crystal Skull, in which, near the start of the movie, Harrison Ford’s character survives a nuclear detonation by climbing into a kitchen fridge, which is then blown hundreds of feet through the sky whilst the town disintegrates. He then emerges from the fridge with no apparent injury. Later in the movie, the audience is expected to fear for his safety in a normal fistfight.
The Infidels of one age have been the aureoled saints of the next. The destroyers of the old are the creators of the new. The old passes away, and the new becomes old. There is in the intellectual world, as in the material, decay and growth, and ever by the grave of buried age stand youth and joy. The history of intellectual progress is written in the lives of Infidels. Political rights have been preserved by traitors — the liberty of the mind by heretics. To attack the king was treason — to dispute the priest was blasphemy. The sword and cross were allies. They defended each other. The throne and altar were twins — vultures from the same egg.
Robert Green Ingersoll – “The Great Infidels” (1881)