A mall in Toronto closed early because of the G-20 riots and this consumer ain’t having it.
(via Joe My God)
From Las Vegas Weekly:
Are there any groups you won’t go after?
We haven’t tackled Scientology because Showtime doesn’t want us to. Maybe they have deals with individual Scientologists —- I’m not sure. And we haven’t tackled Islam because we have families.
Meaning, you won’t attack Islam because you’re afraid it’ll attack back …
Right, and I think the worst thing you can say about a group in a free society is that you’re afraid to talk about it—I can’t think of anything more horrific. […]
You do go after Christians, though …
Teller and I have been brutal to Christians, and their response shows that they’re good fucking Americans who believe in freedom of speech. We attack them all the time, and we still get letters that say, “We appreciate your passion. Sincerely yours, in Christ.” Christians come to our show at the Rio and give us Bibles all the time. They’re incredibly kind to us. Sure, there are a couple of them who live in garages, give themselves titles and send out death threats to me and Bill Maher and Trey Parker. But the vast majority are polite, open-minded people, and I respect them for that.
(via Boing Boing)
Saul Bass prepared storyboards for the shower scene, and was on the set during at least part of the filming. After Hitchcock’s death, Bass asserted that he had directed the scene at Hitchcock’s invitation–a claim definitively contradicted by both Janet Leigh and Assistant Director Hilton Green. Bass’s partisans have subsequently held that Hitchcock merely mechanically filmed shots already laid out by Bass. Comparing the storyboards to the filmed scene shows that to be untrue. On the other hand, the most crucial elements of the scene, such as the drain-eye matchcut and the tracking shot that follows it, are in the storyboards. That proves nothing about the author of the scene, however, since Bass drew the storyboards after extensive discussions with Hitchcock about the design of the scene.