The Story About the Image of Che Guevara


The 5th of March 1960 the Belgian arms transport “La Coubre” exploded in Havana harbour, killing 136 people. As a staff-photographer at the Cuban newspaper “Revolution”, Alberto “Korda” Gutierrez was assigned to cover the following memorial ceremony held in Havana. Among the prominent guests were Simone de Beauvoir and Jean-Paul Sartre. Fidel Castro held one of his endless speeches and Korda was shooting away, when Che Guevara suddenly appeared on the stage. Korda pointed his Leica at Che and managed to make two shots of him, before Che turned around and disappeared.

Back in his darkroom Korda enlarged, among others, one of the Che frames. The editor at “Revolution” picked a Castro-picture for the newspaper and returned the rest. Korda liked the Che picture and put it on the wall in his Havana-studio.

The picture was still hanging on the wall in 1967, by now tobacco-tinted though, when a man knocked on the door. The person did not present himself, but handed over a letter of introduction from a high-ranking member of the Cuban administration. The letter asked Korda to help this person in his search for a good Che picture. Korda pointed at the wall saying: “This is my best Che picture”. The visitor agreed and asked for 2 copies of the print. Korda told him to return the next day, which he did. When asked the price of the prints, Korda replied, that since the visitor was a friend of the revolution, he didn’t have to pay.

The Harvard Classics

From Wikipedia:

The Harvard Classics, originally known as Dr. Eliot’s Five Foot Shelf, is a 51-volume anthology of classic works from world literature, compiled and edited by Harvard University president Charles W. Eliot that was first published in 1909.

Dr. Eliot, then President of Harvard University, had stated in speeches that the elements of a liberal education could be obtained by spending 15minutes a day reading from a collection of books that could fit on a five-foot shelf. (Originally he had said a three-foot shelf.)

The publisher P. F. Collier and Son saw an opportunity, and challenged him to make good on this statement by selecting an appropriate collection of works; the Harvard Classics was the result. Eliot worked for one year together with William A. Neilson, a professor of English; Eliot determined the works to be included and Neilson selected the specific editions and wrote introductory notes.[1] Each volume had 400 to 450 pages or so; and the included texts are “so far as possible, entire works or complete segments of the world’s written legacies.”

C’était un Rendez-vous

From Wired:

Alex Roy’s Cannonball dreams started with a movie, but it didn’t star Burt Reynolds. The film was C’était un Rendez-vous. Made in 1976, it’s a dashing precursor to every Jackass-inspired digicam stunt ever posted on YouTube — nine heart-pounding minutes choreographed to a screaming drivetrain. Through a bumper-mounted camera, the viewer becomes the car — traveling more than 80 mph as the anonymous driver revs into the enormous traffic circle around Paris’ Arc de Triomphe, steers hammer-down from the Champs Élysées to Sacré-Coeur in Montmartre (through 16 red lights, wrong-way one-ways, stunned pedestrians, garbage trucks, and median strips) to meet up with a beautiful blonde waiting patiently in the park at the Montmartre church.

(Thanks Jason)

Japanese Blood Type Theory of Personality

From Wikipedia:

The blood type theory of personality is a popular belief in Japan that a person’s ABO blood type or ketsueki-gata (血液型, ketsueki-gata?) is predictive of their personality, temperament, and compatibility with others, similar to the Western world’s astrology. This belief has carried over to some extent in other parts of East Asia such as South Korea and Taiwan. This theory is completely dismissed by many scientists as superstition or pseudoscience.