It all began with an afternoon roast of the NEW YORK TIMES drama critic, Alexander Wollcott. A number of writers met up at the Algonquin Hotel on 44th street and had such a good time that the event was repeated the next day, and the day after that, until the lunch table at the Algonquin was established as a ritual. The core group of friends was sometimes joined by others who attended for short periods or drifted about the periphery of the group, including such notables as actress Tallulah Bankhead and playwright Noel Coward. The Round Table was made up of people with a shared admiration for each other’s work. Outspoken and outrageous, they would often quote each other freely in their daily columns.
Round Tabler Edna Ferber, who called them “The Poison Squad,” wrote, “They were actually merciless if they disapproved. I have never encountered a more hard-bitten crew. But if they liked what you had done, they did say so publicly and whole-heartedly.” Their standards were high, their vocabulary fluent, fresh, astringent, and very, very tough. Both casual and incisive, they had a certain terrible integrity about their work and boundless ambition. Some of the most notable members of the Round Table came together to work on significant collaborative projects. George Kaufman teamed up with Edna Ferber and Marc Connelly on some of his best stage comedies, including DULCY and THE ROYAL FAMILY. Harold Ross of THE NEW YORKER hired both Dorothy Parker as a book reviewer and Robert Benchley as a drama critic.